In review--Lo'Jo Returns
Lo’Jo Cinéma el Mundo World Village It takes a global village to make a Lo’Jo album, but then Lo’Jo, hailing from Angers, France, feels more like a collective of nomadic musicians, than a structured sextet. After a hiatus from North America, the French band has returned with the eclectic Cinéma el Mundo (Cinema of the World) that harks back to Lo’Jo’s Mojo Radio of the late 1990s, but minus rousing songs such as Mojo Radio and Sin Acabar . The new album possesses a more contemplative sound and like the cinema in its title, conjures floating images. I have yet to come across a world music act that fuses whirling circus music with traditional instruments from Africa, Asia, and Europe in the manner of Lo’Jo--“original” doesn’t come close to describing this band’s music. I imagine any music journalist new to the scene will choke on adjectives trying to describe this band that defies any labels. Then with each album, the musicians delve deeper into the