In review--Veena is Queen
Jayanthi Kumaresh Mysterious Duality Just Me EarthSync I first heard veena player Jayanthi Kumaresh perform on collaborative recordings on Sense World Music in 2007. On rare occasions I heard classical Indian music from South India and even more rare that I heard veena recordings. In many ways, the veena resembles the sitar of North India’s classical music tradition, but the veena’s tones sound warmer and resonate deeper than a sitar. On her solo recording Mysterious Duality (Just Me) , Kumaresh layers several veenas, up to 7 overdubs on the 4 tracks that appear on the recording. I thought I read somewhere that she performed on 12 veenas for this recording, but now that I look for that information I’m unable to find it. In the press notes, Kumaresh reflects about how she wanted to bring out the nuances of the veena. “The pieces that emerged once Jayanthi found her footing move from contemplative layered arpeggios to energetic, complex melodies, from percussive grooves to da...