In review--Lo'Jo Returns
World Village
I have yet to come across
a world music act that fuses whirling circus music with traditional instruments
from Africa, Asia, and Europe in the manner of Lo’Jo--“original” doesn’t come
close to describing this band’s music. I
imagine any music journalist new to the scene will choke on adjectives trying
to describe this band that defies any labels.
Then with each album, the musicians delve deeper into the “Lo’Jo effect”
(phrase coined by me).
Alger features swirling waltz-like piano
and Richard Bourreau’s gypsy violin with Denis Péan’s gruff vocals punctuating
the song. El Cabo also flows to a
slower tempo with a waltz-like feeling, but this time the vocalist sisters,
Nadia and Yamina Nid El Mourid chip in their luxurious harmonies. Perhaps, it is my imagination but Lo’Jo stays
with a 3/4 time signature for the bulk of the recording, which creates a dreamy
atmosphere that at times feels like underwater music or that I have stepped
into an alternate universe.
Oh, we’re not through with
the delightful surprises yet. On Cométe Algébrique, Péan and his
bandmates bring the world to us, but melding European strings with a Chinese
traditional erhu played by Guo Gan and darn, if I don’t feel like I’m watching
Chinese classic cinema. The following
track, Vientiane also features the
Chinese effect, but with western-style vocals--comes off as exquisite. I’m not going to describe the remainder of
tracks, but I will say, Cultural Creatives, this album was made for you. Anyone who has accumulated the global miles
Lo’Jo has would also sound like a global village. This French band has the world pulse at its
fingertips along with a rainbow bridge of humanity.
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