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Showing posts from November 11, 2007

In Review--Will Clipman Pathfinder

Will Clipman Pathfinder Canyon Records If you have listened to R. Carlos Nakai or any number of Canyon Records artists, you have heard Will Clipman's work on percussion and drums. On Pathfinder , the master percussionist Clipman performs on all of the global percussive instruments himself. The pieces feature polyphonic drums and global percussive melodies--that's right, Clipman plays melodic percussion. The music ranges from whimsical to dance-inducing-hip-swaying and many moods in between. The rhythmic music lifts our spirits and begs us to dance along with it. Sometimes we find ourselves on the African continent, or we find ourselves snaking our way across an American Southwest desert. The drumming comes from ancestors and it hails from the spirit of the present. Clipman who calls himself, Saamokee (a marriage between Saami and Cherokee), finds his shamanic roots while igniting his passion for drumming on Pathfinder . With such titles as, Bodhisattva , Thirteenth Moo

In Review--Archival John Coltrane A Love Supreme

John Coltrane A Love Supreme MCA Records, (1964) Jazz saxophonist-composer John Coltrane discovered God in the late 1950s which led the be bop performer to eventually record, A Love Supreme . According to Coltrane, "During the year 1957, I experienced, by the grace of God, a spiritual awakening which lead me to a richer, fuller, more productive life. At the time, in gratitude, I humbly asked to be given the means and privilege to make others happy through music." A Love Supreme with its hard edges and dissonant staccato saxophone passages, would not be my first place to seek happiness. But having been through an ordeal of relocating and completely altering my life circumstances recently, A Love Supreme seems like the right medicine for me. And anyone experiencing a dip on their life path, might also find this music to act as a healing balm. It's not for everyone, and Coltrane caused a lot of controversy among the jazz world with his hard edges and experimen