In review--Saluzzi's Enchanted World

Dino Saluzzi El Encuentro ECM I first discovered Argentine bandoneon master Dino Saluzzi when he released his ensemble’s recording, Juan Condori . I instantly fell in love with Saluzzi’s composition which married musical instincts with compassionate poetics. This poetry wasn’t conveyed in words, but in the universal language music, with musical conversations reflecting on jazz and Argentine indigenous sensibilities. And actual words can barely convey the fragile moments, the nuances, and the sudden sweeping gestures present in Saluzzi’s compositions. He’s a musician that clearly wears his heart on his sleeve. The next recording I heard and reviewed featured Saluzzi with German violoncellist Anja Lechner, Ojos Negros . The musical conversation sounded even more delicate and intimate, those haunting exchanges between the violoncello and the bandoneon, falling deeply into classical chamber music with a far-reaching effect. And now on Saluzzi’s live debut for ECM, El Encuentro ...