The Whole Music Experience

Kevin Yazzie Love (Songs of the Native American Church) Canyon Records Porcupine Singers Alowanpi-Songs of Honoring Lakota Classics: Past and Present, Vol. 1 Canyon Records I’ve reviewed Dinè songwriter Kevin Yazzie’s CDs in the past so I’m going to give a brief review of his latest, Love (Songs of the Native American Church ).    Similar to another Dinè traditional songwriter Louis Gonnie, Yazzie’s vocals possess a strong spiritual resonance, especially when he sings in the lower register.   He offers 7 sets of songs or sung prayers to life, his family, his children, and to love. Unlike some peyote song recordings, the water drum and shaker don't sound jarring here, but still creates a sacred atmosphere in which the singer delivers his harmonized vocals.   I’m listening to the first song set as I type this review and I feel alert instead of spaced out.   I find this recording accessible and someone who has never listened to peyote or harmonized

Le Trio Joubran As Far (Asfar) World Village In 2008 I interviewed Wissam Joubran for an arts and entertainment publication in Washington State and I felt deeply moved by his story.   I was scheduled to attend a Le Trio Joubran concert, but in the end I missed the concert.   This was a real shame because the Palestinian oud-playing brothers’ performance on their studio and live recordings prove nothing short of mesmerizing, even flawless.   The brothers don’t just deliver seamless performances (imagine three ouds in sync or playing counter melodies), they perform with their hearts dangling on their sleeves and in a live DVD that I watched, trails of tears on their faces.   Granted, even though the musicians are blessed with an incredible musical gift and hail from a lineage of oud players, Palestinian life is rife with tragedies. So the musicians have a huge palette in which to draw from when composing and performing music.   At times the music feels heart wrenching an

Amjad Ali Khan Scottish Chamber Orchestra with David Murphy Samaagam World Village I’ve heard diverse European classical fusions with classical music of other cultures.   But the bridge between traditional Indian classical and European classical music provides a blissful experience that travels beyond words.   When you consider that European music is currently based on a well-tempered scale with basically 7 notes (an octave repeats a note) and Indian music possesses 12 note scales with microtones, it seems like a miracle that these 2 languages can actually converse musically.   Traditional Indian instruments were created around the 12 note scale and the European classical instruments were created for the rigors of European classical music.   But that didn’t stop Indian master sarod player Amjad Ali Khan from teaming up with the Scottish Chamber Orchestra laboratory from exploring Indian ragas and employing 2 musical systems to achieve this goal. Khan is quoted i