The Whole Music Experience

World / Native American   Wayne Silas, Jr. Infinite Passion   Canyon Records Hey everyone, it’s that time of year for Native American round dances--a merry cycle of socializing, dancing, drumming and singing personal as well as, humorous songs.   A regular performer on the pow-wow trail and round dance circles, Wayne Silas, Jr. (Menominee/Oneida) brings us his newest collection of round dance songs, lullabies, and traditional women’s songs on Infinite Passion .   One minute he’s singing at the top of his lungs, another a moment he sings from the bottom of his heart with songs so sweet, intimate and tender that I feel like I’m eavesdropping on his family.   On the other hand, when his group of talented friends joins Silas, I feel like I dropped into a party. My favorite songs lean on the slower melodic side such as Tha Mash Up which features polyrhythms, chimes, and vocal harmonies.   Pray , a duet with Veronica Keeswood also hits the spot as far as passionate v

World   Toninho Ferragutti O Sorriso da manu   Borandá When I think of South American accordion music, my thoughts usually gravitate towards Argentine tango and the late Astor Piazzolla.   However, many wonderful South American folkloric music centers on the accordion brought to Latin America originally by Italian and German immigrants.   Brazil certainly has its share of folkloric traditions in which the accordion plays a key role.   Brazilian accordionist Toninho Ferragutti and his quartet (accordion, clarinet, percussion, and bass) team of with a chamber ensemble of strings and piano as they explore forró and choro dance songs along with an abstract version of flamenco on the recording O Sorriso da manu. Delightfully playful and contemplative in turns, listen to Flamenta with its lively castanets and the titular track with its klezmer-style clarinet.   When I listen to this recording, I’m reminded more of Finnish accordionist and composer Maria Kalimeni tha

For a while, I have wanted to include music therapy and music therapists on Whole Music Experience.   And once again, I have found a 21st Century Musical Healer in my Linked In group Musical Healers, Esther Thane.   Below I’m including her biography found on her website (see link at the end of the post). Esther Thane works as an accredited music therapist with special needs children in North Vancouver, British Columbia, Canada. Her specialization for the past 17 years has been in the field of Autism- targeting early intervention. Esther continues to provide weekly music therapy programs for the North Vancouver School District- where she interned 17 years ago!  In addition to ET Music Therapy, Esther is a Music Therapy voice instructor at Capilano University, teaching in the Bachelor of Music Therapy Program.  She frequently presents at conferences and holds workshops for universities, local agencies and abroad.  Esther is past Artistic Director of the Music Therapy

World   Debademba Souleymane   World Village Some of the first world music I heard was from West Africa.   I started out with Senegalese music then discovered Malian music and West African music found a place in my life.   With so many musical styles hailing from West Africa, sometimes bands come along that mix and match while causes us to dance our feet off.   Debademba (led by guitarist Abdoulaye Traoré of Ghana and Malian griot vocalist Mohamed Diaby) performs High Life (Ghana), mbalax (Senegal), Afro-Beat (Nigeria) and griot blues (Mali) on their second album, Souleymane . These musicians supply us with ample infectious rhythms played on calabashes and other percussion, shimmering kora, acoustic guitar, soaring vocals, as well as, violin, cello, flute, piano and chorus (women and men vocals).   I dare you not to dance. Okay, so it’s not all fast grooves and primal beats.   Djiki snakes along to Arabic modes with vocals so stunning my teeth ache from the bea