The Whole Music Experience

Anonymous 4 Four Centuries of Chant Harmonia Mundi The laws of synchronicity work efficiently in my life. Two weeks ago, I pulled out Anonymous 4’s Portrait because I was craving ethereal polyphonic chants. Then I received an e-mail release notice from Harmonia Mundi announcing a new Anonymous 4 recording. Four Centuries of Chant, though is a compilation archives monody or plainsong chants that appeared on previous albums. While this quartet is mostly known for its vocal polyphony, the 20 plainsong chants (which includes work by Hildegard von Bingen, Tavener, along with medieval, renaissance chants and Hungarian Christmas music), deserve attention. These chants were culled from An English Ladymass , The Lily & The Lamb , Miracles of Sant’Iago , A Star in the East , Hildegard Von Bingen—11,000 Virgins , A Lammas Ladymass, The Legend of Nicholas , 1000: A Mass for the End of Time , Darkness into Light , and The Origins of Fire . Susan Hellauer cited in the liner notes,

Angela Hewitt Plays Handel & Haydn Hyperion Records In the past I have listened to award-winning Canadian pianist Angela Hewitt’s Bach recordings, which I found as delicious as the Bach interpretations of the late Glenn Gould (also Canadian). So when I put the Handel & Haydn CD into my player, I thought I was listening to Bach. I even pulled the CD out of my computer to make sure that Hyperion had not made a mistake and accidentally put a Bach recording in the jewel case. They had not. I read Hewitt’s liner notes in which she discussed the similarities between George Frideric Handel’s Suite No 2 in F major and Bach’s repertoire. “If you play this for somebody without telling them who wrote it, I bet the last person they would name would be Handel. Many would say Bach.” I would say the same about Chaconne (with 21 variations) in G major , which Hewitt opens the recording. But why should any of this surprise me? Handel and Bach were contemporaries, both of Germanic