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Showing posts with the label Spanish folkloric

In review--Acoustic Galicia (Aye, La, La)

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World/Galician   Radio Cos Radio Cos   Folmusica The American song collector Alan Lomax knew a good thing when he made field recordings of Galician music decades ago.  In some ways Galician folk music with its Celtic influences could be mistaken for Scottish or Irish music and in other ways, it sounds like Basque traditional music, some Portuguese traditions tossed in and the musicians sing in the exotic Spanish dialect, Gallego.  Radio Cos performs Galician dance music on Radio Cos punctuated by “aye, la, la” and on one of the tracks, I could have sworn I was listening to a Mexican ranchera (listeners also dodge animated bullets on that song). Romp-stomping accordion bounces along delicious polyrhythms played on the traditional frame drums and tambourines, maracas, violin, gaitas (bagpipes), saxophone and vocals.  The vocals supply us with harmonies and occasionally passionate outbursts.  On Pandeiretada (traditional drum) the music...

Top 10 World Music & Folkloric CDs of 2012

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World and folkloric recordings make up the bulk of CDs I reviewed in 2012.  Because of that, I came up with two top 10 lists for World Music.  You'll find the other list on World Music Central later this month, http://worldmusicentral.org For the purpose of this list, World Music includes Americana and Native American along with Latin American, African, and European recordings (excluding jazz and classical).   This list is not in any specific order. 1. Antonio Zambujo, Quinto, World Village (Portugal) 2. Le Vent Du Nord, Tromper Le Temps, Borealis Records (Canada) 3, Radmilla Cody with Herman Cody, Songs for the People, Canyon (Navajo/US) 4. Lo'Jo, Cinema el Mundo, World Village (France) 5. Hijos de Agueybana, Agua del Sol, Tumi Music (Puerto Rico) 6. The Mountain Music Project, A Musical Odyssey from Appalachia to Himalaya, Independent release (US/Nepal) 7. Good Lovelies, Let The Rain Fall, Warner Music Group (Canada) 8. The Toure-Raichel Co...

In review--Another Andalusia

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Contradanza Tentenelaire Galileo Music Hailing from Seville (Andalusia, Spain), the folkloric quintet Contradanza performs a mix of flamenco (no flamenco on Tentenelaire ), renaissance dances, Arabic music and jazz. In some respects Contradanza shares common musical themes and styles with Eliseo Parra and Aulaga Folk, other Spanish folkloric groups that mix traditions. But please don’t ask me to elaborate since I know little about this group and can find scant information in English except a stub on Wikipedia and a review of a previous recording. The music on Tentenelaire  exudes warmth and exoticism. Arab baglama, accordion, flutes (Celtic and Arabic), fiddle, bass, guitar, African drums, accordion, mandolin provide a backdrop for Ricardo de Castro’s laidback vocals. While the songs flow together seamlessly and at a similar tempo, careful listens to the recording reveal a Spanish Celtic tinge on Cigüeña , heard mainly in the misty flutes and fiddle. The song Vo...