The Whole Music Experience

The Touré-Raichel Collective The Tel Aviv Session Cumbancha With so many Malian-music collaborations to choose from these days, it is still not a cliché to introduce yet another.  Malian blues guitarist Vieux Farka Touré teams up with Israeli pianist Idan Raichel.  From what I can tell from the press notes, neither musician has collaborated on an acoustic jam session previously that combines the earthiness of Malian music with Middle Eastern modes.  In fact, these musicians are superstars of world pop and rock, but The Tel Aviv Session , sounds more new age than anything else (new age in a good way).  I find this album deeply relaxing alternating with invigorating. On the opening track Azawade, Raichel’s piano arcs over Touré’s bluesy chord progressions, reminding me of angels descending to the red earth.  Backed by Yossi Fine on bass, and Souleymane Kane on calabash, the only other musician that comes to mind is Taj Mahal, who also weds the truly sublime to bluesy pr

La Nuova Musica David Bates Handel’s Il Pastor Fido Harmonia Mundi Love is a complicated matter for Italians.  Remember the star-crossed lovers in Romeo and Juliet?  Still, in another era, Italian troubadours roamed from court to court singing about unobtainable love.  During the classical era, Italians fumbled their way through courtship in Mozart's operas.  However, for George Frideric Handel during the Baroque era, nymphs and Greek shepherds endured Cupid’s painful arrows.  Two couples appear at the center of the baroque opera Il Pastor Fido (The Faithful Shepherd) along with an early predecessor of the femme fatale who has her own plans. Amarilli (soprano Lucy Crowe) is in love with Mirtillo (soprano Anna Dennis), but betrothed to Silvio (countertenor Clint van der Linde).  However, Silvio made a vow to Diana, goddess of the hunt and he only has one thing on his mind.  Dorinda (mezzo-soprano Madeleine Shaw), has fallen for Silvio and pursues the obsessed hunt

Leni Stern Sabani Independent release I sometimes wonder when the Malian musical star will fade out, but it just grows brighter each year.   With western musicians such as Taj Mahal, Ry Cooder, Corey Hart, Bonnie Raitt and Leni Stern collaborating with Malian musicians, not to mention the prominence of Malian musicians worldwide, the excitement just keeps growing.   Guitarist-songwriter Leni Stern (German-born), has already lived a musically exciting life that would make any cultural creative proud.   She has collaborated with Peruvians, performed at the Festival of the Desert (Saharan Desert, Mali), and jammed with the stellar lights of Malian music.   And now, she’s released a blues album featuring the n’goni (grandfather of the banjo) performed by herself and Haruna Samake from Salif Keita’s band, with another Keita band member, Mamadou Kone brings percussion to the session.   The result is the haunting Sabani --Malian blues with a feminine twist. I have a co