In review--Soaring Heights
Aaron White & Anthony Wakeman Handprints of Our People Canyon Records Neither Dinè-Ute guitarist-flutist Aaron White or Lakota flutist Anthony Wakeman are new to my ears. I’ve heard at least two incarnations of White’s duos and heard Wakeman’s solo and collaborative recordings. So listening to White’s and Wakeman’s Handprint of Our People comes as a lovely respite. White’s bluesy guitar (listen to the stunner Dunes of Time ) coupled with Wakeman’s ethereal flute connects the earth and the sky. Needless to say I find the duo’s warm acoustic album deeply relaxing. Certainly the music here would benefit massage and energy healing clients who prefer new age and indigenous music with an edge. Wakeman’s flute provides more washes than melodic hooks which contributes to the relaxing vibe. And the deep tones of White’s guitar relieve tension. On End of My Trail , White plays lilting arpeggios which Wakeman’s dragonfly-like flute dances around. On Return of the Twins Wakeman