The Whole Music Experience

Lucas Van Merwijk’s Drums Unlimited Heartbeat Tam Tam Productions As with all my Whole Music projects, I sometimes break musical components apart to explore the roles rhythm, tempo, timbre, color, melody, and harmony play.   A musician once told me that I had no sense of rhythm.   At first, I felt angry about this critical observation later, I started attending drum events in Seattle, and found that I could follow along just fine.   My heartbeat taught me all I needed to know about rhythm.   Lucas van Merwijk’s Drums Unlimited know all about those poly rhythmic beats, but this recording does not represent an improvised drum circle, but tightly woven pieces, even drum vignettes with vocals in some cases, and worldview of drum cultures. While I pass on the DJ mix type tunes on this recording, the acoustic drum pieces definitely excite me.   Listen to the effervescent African Dream with Gianna Tam scatting in an African dialect over the...

Aurelio Laru Beya Next Ambiance I had not heard of the Garifuna people until 2007 when Andy Palacio made an international splash with his efforts to preserve Garifuna culture including language and music. Unfortunately, Palacio’s life was cut short in 2008, right at the time when his star ascended. A Garifuna women’s recording project followed the death of Palacio and then the music seeped out of my life, as music tends to do. Now, Aurelio Martinez, a 39-year old Garifuna musician hailing from Honduras, rekindles the sparks of the Garifuna legacy that Palacio left in his wake. His album, Laru Beya distributed in North America by Subpop’s African arm Next Ambiance, promises to entice a few hips. In 2007 I was in no position to describe Garifuna music with its perfect blend of African polyphonic rhythms and rattle and roll of Latin American indigenous people. And I’m no closer to untangling these roots now. The history of the Garifuna people, former African slaves that fir...