The Whole Music Experience

Quantum Music (Frequency = Attraction) So many times I listen to online spiritual radio shows and webinars and I rarely hear a radio host or spiritual teacher make the connection between a person’s experience and their musical choices.   I understand that this is my piece of the puzzle.  However, Gregg Braden has made this connection in his programs and I’m sure he’s not a lone wolf. However, the usual scenario goes like this.   A person calls in or lands in the “hot seat” for the Abraham/Hicks teachings, for example, and they wax on about how they have used all of the tools offered by Esther Hicks and the Abraham spirit collective, but they keep attracting situations only to end up feeling disappointed when those situations disappear into thin air.   And yes, getting in touch with beliefs and patterns, pivoting negative to positive thoughts, and “softening resistance” are key pieces to magnetic attraction also known as the Law of Attraction.   However, there are some follo

My article on animal communication, music, and spirit animal guides appears in the February 2013 issue of the New Spirit Journal . http://www.newspiritjournal.com/an-animal-carnival-the-music-animal-connection/

Classical Andrea Oliva Angela Hewitt Bach Flute Sonatas Hyperion Records   I feel pleased to start out a new year with the enchanting Bach Flute Sonatas performed by pianist Angela Hewitt and flutist Andrea Oliva.   Out of all the Bach recordings I have heard, I don’t recall hearing tranverse flute (at least not in a sonata setting), but I have heard plenty of recorders.   Towards the end of Bach’s life, the tranverse flute replaced recorders, even though recorders of various types still exist in our time.   As always, questions revolve around the compositions, whether or not Bach co-composed them or if they were written for transverse flute or oboe as in the case with the Sonata in G minor , which might Bach might have co-composed with his son C P E Bach.   Whatever the history is behind the flute sonatas, Oliva and Hewitt breathe a fresh of new air into them.   The original musicians would have played the sonatas on piano and a baroque era flute anyway.