Harmonized Church Hymns of the Kiowa
Breathe Deep the Dusk Fall
Songs of the Native American Church
Native American Peyote Songs
I wrote an in depth article on the Native American Church and peyote songs several years ago which you can find on this blog (see links at the end of the review), so I’m not going into scholarly detail here. However, Kiowa Cheevers Toppah, Dinè Louie Gonnie represent the more prominent younger generation of harmonized peyote song singers recording these days. In fact, they’re prolific releasing at least one recording per year that showcases their talent and spiritual devotion. Antonio Woody, also from the Dinè people brings us the Native American peyote songs of his ancestors, performing them in the old style.
While I’ve never ingested peyote myself or attended a Native American Church service, I will attest to the psychedelic elements of the old style songs and Louie Gonnie’s approach to the harmonized songs on his recordings. Just take a look at the album cover images for Breathe Deep the Dusk Fall. But I don’t get the feeling that anyone’s tripping here, but practicing some strong Indian medicine and prayer. These musicians are steeped in spiritual and vocal training as they preserve these traditions for future generations.
Louie Gonnie and Dinè Branson Emerson Gorman perform original songs of the Native American Church on Breathe Deep. Accompanied by rattle and a Native American water drum the songs feel nocturnal and a bit jarring. Gonnie composed the text and songs which reflect on the Earth Mother, smoke, fire, the cosmos, just to name a few themes. The text to the titular song read (English translation), “Inhale the coming night. The crickets beckon the dark, and shadows begin to fade away revealing endless stars…”
I’ve reviewed Gonnie’s past recordings and commented on his voice which slides between baritone and bass. His songs feel healing to me and I’ve found the songs comforting, if not grounding. The text here is personal, connecting family stories to the cosmos and the natural world. And to add a bit of variety, Transcendence and the Dawn reflects on the new day awakening. This is the type of song you’d expect to hear in the background of a new age shop, with its chirping birds and calling hawk, but the deep pulse of the water drum might feel strange to some folks. Gonnie’s songs (even sung in the Dinè dialect) create rich visuals that caress the heart, mind, and soul. Anyone seeking an authentic Native American spiritual experience would enjoy this recording.
For the uninitiated such as me, the old style peyote songs prove the most challenging to grasp emotionally, physically, and mentally. Chants accompanied by water drum and rattles provide psychedelic effects with or without peyote. Yet, these old style songs provide spiritual medicine to its practitioners, their families and communities. Antonio Woody performs “these ageless songs” on Old Style with the mission of preserving the songs for future generations.
According to the liner notes, “The songs recorded on this album traveled a long way from older uncles, some who are gone now and a few still here with us. I learned these songs as a young boy during ceremonies when they sang them over and over. My dad, brothers and cousins would tie drum and teach me songs as well.” In the tradition, this album features 6 sets which include 4 peyote songs each. The old style songs don’t have titles or themes, but possess power and voices of the ancestors.
If you would like to learn more about peyote songs, read the article I wrote several years ago
And visit http://www.canyonrecords.com/ interactive website.