In review--Where Eagles Soar
Native American / World Tony Duncan Native Son Canyon Records I had one of those days where I feel wound up and it doesn’t help that I have been consuming raw chocolate. So listening to Apache/Mandan-Hidatsa-Arikara flutist Tony Duncan’s third album with Canyon Records and I believe his second solo album, Native Son , comes as a relaxing godsend. When you listen to numerous Native American flute recordings you begin to identify subtle and not so subtle differences and signatures of the many gifted flutists. Some Native American flutists possess playfulness while others lean heavily into the ethereal realm and others provoke healing tears to flow. Duncan combines all of those qualities in his playing, which if it was a wine, we would also call it full bodied and robust--not bad for a young musician. I survived a stressful summer in 2011 in part listening to Estan-Bah (acoustic guitar, Native American flute, Native American frame drum), and experiencin