Posts

Showing posts from July 5, 2009

In review--The Miracle of Roses & Santa Maria

Image
James DeMars Guadalupe, Our Lady of The Roses (opera) Canyon Records Opera, oratorio and music for mass present a variety of challenges to composers and performers. American composer James DeMars, who is no stranger to Canyon Records or indigenous music has combined structure from opera, oratorio and mass with his opera, Guadalupe, Our Lady Of The Roses . He brings in R. Carlos Nakai (Native American flute) and Xavier Quijas Yxayotl (flutes, whistles of the Aztecs) to represent the indigenous people of Mexico at the time of of the Renaissance and conquistadors in the New World. The opera vocalists, chorus and orchestra represent the Spanish, the Indians, The Virgin of Guadalupe and the Catholic Church. The brief synopsis reads, "A story of the three apparitions of the Virgin of Guadalupe on the hills of Tepeyac above Tlatelolco in 1531, the appeals of Juan Diego-Cuatlatohuac to the Bishop Zumarraga for a temple at the site of the visions, the revelation of the mirac

In review--Urban Brazil

Daniel Santiago Metropole Adventure Music Composed and arranged by Brazilian guitarist Daniel Santiago, Metropole explores urban Brazil. Joined by Josuè on tenor and soprano sax, Vitor Goncalves on piano, Guto Wirtti on acoustic bass as well as, Edu Ribeiro and Marcio Bahia on drums, these musicians perform warm and breezy instrumentals. The 12 tracks with titles such as, Gregorian Samba , Salamandra and Traveling provide uplifting acoustic arrangements. Santiago has performed in the mandolinist Hamilton de Holanda’s quintet. He has performed with internationally acclaimed Brazilian musicians, Joao Bosco, Ivan Lins, Djavan and Seo Jorge. Metropole marks the guitarist’s second recording with Adventure Music. His debut On the Way received kudos from Jazziz magazine. Metropole has some relaxing moments, but overall, the jazz feels upbeat with some John Coltrane type solos on Letter to the World and plenty of soloing on the various instruments throughout the recording. The