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Showing posts with the label Chopin

In review--Impressions of the Night (Chopin and Debussy)

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Classical   Javier Perianes   Les Sons et les Parfums   Debussy meets Chopin   Harmonia Mundi    Chopin and Debussy were both known for composing diffused music for the piano, however, while Debussy also composed for ballet, opera, and chamber ensembles, Chopin strictly composed for piano.   Oddly, when I brought up Chopin’s music once to a colleague, he made a grave error in describing Chopin’s music as “small,” simply because Chopin composed for a single instrument.   Any pianist that has performed Chopin’s keyboard work would not use the word “small” to describe it.    Even listening to Chopin’s mazurkas and nocturnes, provide fascinating contours and development of musical themes, despite the lack of a symphonic or orchestral association.   And even though Chopin did not shout virtuosity like Liszt, Rachmaninoff or Prokofiev or provide mental gymnastics like Bach, Chopin’s seemingly quiet and s...

In review--Russian masterful

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Daniil Trifonov, Valery Gergiev Mariinsky Orchestra Tchaikovsky Piano Concerto No. 1 Mariinsky label Distributor--Harmonia Mundi While I returned to college in 2007, I relied on classical music for memory retention and for stress-reduction.   I recall listening to the first movement of Tchaikovsky’s Piano Concerto, No. 1, along with pieces by Mozart.   The famous concerto seemed as familiar to my ears as melodies from the composer’s Nutcracker Suite .   Now, I’m listening to a new recording by a young Russian virtuoso Daniil Trifonov, who also performs songs by Schubert, Schumann, and Chopin’s Barcarolle .   Certainly, I feel impressed with Trifonov’s wide emotional palette and great dexterity as he interprets Romantic era music representing several countries.   Joining with the Mariinsky Orchestra conducted by Valery Gergiev (no stranger to me), the program’s focus on the recording, Tchaikovsky Piano Concerto No. 1 , lands on the piano...

Essay:Tuning into Neptune

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In-Tune with Neptune (The Outer Planet Returns Home to Pisces on April 4) Besides researching and writing about music, I practice astrology as a hobby. I tend to favor watching the trends caused by the outer planets, Pluto, Neptune, and Uranus because these planets stay many years in a sign. Uranus stays around 7 years, Pluto and Neptune around 12-14 years slowly transiting a sign. In fact, since the discovery of Neptune during the Victorian Age (September 23, 1846) the planet has only made one round of the zodiac, starting and ending in Aquarius. On April 4, Neptune transited into its home sign, Pisces. I find this significant because I work in a field that is governed by Neptune and I also have this large and beautiful planet smack on my MC/10th house of my natal chart (career). So it’s no accident that I discovered the healing power of music since Neptune basically rules my chart. Incidentally, I think its fate that I write this article because Neptune was discovered whe...

Essay: Intent and Specifics of Classical Music

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Wikipedia Not all Beethoven compositions are created equal, ditto for Chopin’s repertoire and fill in the blank with a composer’s name. To say that all of Mozart’s music increases IQ levels is an overstatement and a false assumption. I feel sad for anyone who only listens to Mozart to increase their IQ because then they miss out on the holistic experience of Mozart’s music. And I doubt any of these composers with the exception of Mozart (after he joined his local chapter of the Freemasons), composed with any healing or energetic intentions. Most classical composers during their time, composed for commissions from the church or an elite patron. After music publishing arrived, the composers earned money through publication of their compositions, which in order to earn their keep, had to appeal to music audiences, as well as, amateur and professional musicians. So we need to keep this in mind when working with music for healing purposes. Classical music goes a long way in heali...

In review--Chopin's Anniversary Year (1810-1849)

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Cèdric Tiberghien Chopin Mazurkas, Polonaise-Fantaisie, Scherzo and Nocturne Harmonia Mundi Listening to a Chopin piece feels like the equivalent to luxuriating in a delicious cup of tea. The Romantic era Polish composer/pianist’s compositions alternating between introspective and invigorating. His work centered on one instrument, the piano for the most part and this deeply expressive music can and does rival bigger orchestrated works of the Romantic Era. Perhaps Chopin represented the microcosm in relation to the macrocosm or the individual in relation to the whole. Even the piano/composer virtuoso Franz Liszt praised his contemporary. In the CD liner notes, Lizst cites, “…By restricting himself to the exclusive framework of the piano, Chopin has in our view demonstrated one of the most essential qualities for an author: a sure appreciation of form in which he is capable of excelling.” A half a century after Chopin composed his music, French Impressionist composer Maur...

In review--Bon Anniversaire Chopin (200th)

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Frèdèric Chopin (1810-1849) Stephen Hough Chopin Late Masterpieces Hyperion I regret that up until now, I have only heard Frèdèric Chopin’s music in passing. I heard waltzes and lullabies mostly, but I had never sat down with a recording and taken a good listen or attended a piano recital of Chopin’s music. I knew tidbits of information about the Polish composer’s tumultuous relationship with French author George Sands (a woman) and his death at a young age from TB, but only now with the 200th anniversary of Chopin’s birth (he was either born in February 22 or March 1 in 1810), am I getting acquainted with the composer and virtuoso pianist. I received English pianist extraordinaire Stephen Hough’s Chopin (Late Masterpieces) recording in the mail yesterday. The premise behind the recording revolves around the innovations and transformations that take place in an artist’s work during the last years of life. Many great artists of various disciplines are mentioned in the line...