The Whole Music Experience

Archival Reviews (Cranky Crow Whole Music) Orchid Ensemble Heartland (2003) Independent Release Orchid Ensemble Road to Kashgar (2004) Independent Release Orchid Ensemble's 2000 recording, Heartland possesses an appropriate title since this CD oozes heart and soul with its delicate collection of traditional and contemporary Chinese music along with music from other cultures. The ensemble is led by Lan Tung on erhu (a two-string stick fiddle that is played on the lap) and she is joined by zheng virtuoso scholar Mei Han and multi-cultural percussionist Jonathan Bernard (marimba and percussion). The 12 compositions on the CD, also feature dumbek, tar, djembe, tambourine, wood blocks, temple blocks, vibraphone, glockenspiel, Chinese opera gongs & drums, tuned bells, mark tree, and other exotic percussion. However, some listeners will be exposed to the 2,500 year old zheng with its pentatonic scale playing along side a Latin American marimba while the erhu weeps ov

Mayte Martin Alcantara Manuel World Village Mixing jazz, Latin American new song and flamenco Spanish guitarist/vocalist Mayte Martin celebrates the poetry of Manuel Alcàntar. The flamenco that appears on Alcantara Manuel could be described as passionate, but more melancholic than fiery. The emphasis appears to be on the text and vocals which are framed by 2 guitars (right and left channels), double-bass, percussion and violins with Martin’s voice caressing each word with soulful emotions. I’m reminded of the late Argentine new song performer Mercedes Sosa who also has the gift of igniting text with her emotive voice. Martin also possesses a powerful and sensitive alto voice. And both performers extract the soulfulness of the Spanish language while employing it as a powerful tool that travels into the hearts of their listeners. I actually had to research the Spanish prize-winning poet Manuel Alcàntar whose poems featured on this album focus on death, the sea, heartache, wa

Liliana Barrios Èpica (El Viaje de Homero y Virgilio Expòsito) World Village Sierra Maestra Sonando Ya World Village My mother claims that she played all types of music to my siblings and me when we were babies. She mentions that she even played “highbrow music” and most likely she was referring to European classical, but she might have meant Argentine tangos and Cuban son, after all, my mother grew up in Panama and her first language is Spanish. However, my first language is not Spanish and it certainly isn’t the language of tango or son, but this music is probably floating in my DNA somewhere among those Spanish peasant genes. Certainly when I hear a bandoneon conversing with weeping strings passion and pathos bubble over in my bloodstream; my heartbeat quickens. It’s not fair to Argentine tango musicians, but when someone mentions tango my mind automatically thinks of Astor Piazzolla. Tango has its lineage of vocalists, bandoneon players and composers. Some

London Symphony Orchestra Valery Gergiev Prokofiev Romeo and Juliet LSO I discovered Russian composer Sergei Prokofiev’s music for Romeo and Juliet while I was researching one of the composer’s piano concertos for an article. I was immediately captivated by the composer’s musical themes, his edgy orchestration and accessibility. London Symphony Orchestra’s (led by Valery Gergiev) live recording of Romeo and Juliet marks also my second listen to this phenomenal work. The live performance does the incidental music justice, though I would still love to see dancers performing the ballet to this score. When I listen to classical works I have this tendency to search for influences or for possible disciples (informal or formal) of the composer. The question in my mind while I listened to this version of the ballet score revolved around Leonard Bernstein’s score to Westside Story . As you know, Westside Story based itself on Shakespeare’s Romeo and Juliet as well, though only