In review--Galician Samba

-

World
Sērgio Tannus
Son Brasilego
Folmusica (Spain)


When I received a parcel from the Galician label Folmusica, I wasn’t expecting a Brazilian multi-instrumentalist CD.  Yet, Sērgio Tannus Son Brasilego reminds me of the proximity between Galicia (Northwest Spain) to Portugal.  The Gallego language of the Galician people also shares roots with the Portuguese language so even though Brazil is across the world from Spain or Portugal, Brazilian music shares connections with Galicia.  Besides, some of Galicia’s hottest folk musicians teamed up with Tannus on this sunny recording.  And not only that, I was surprised to see two artists (Ceumar and Antonio Zambujo) whose CDs I reviewed in recent months, sing on the songs, Água Quentinha (Ceumar) and Bethoven Tinha Razão (Zambujo). No wonder their voices felt like a deja vu experience.

I much prefer the slower, more sensual pieces, but the samba pieces have me wishing for time on a sunny South American beach. Plenty of vocal duets appear on the songs, and plenty of acoustic guitar, Portuguese guitar, violins, and trans-Atlantic percussion.  I describe the album as zesty, a word I almost never use.  The songs feel warm, inviting, and intimate, as if I have entered a private jam session. 

Choro Alegre delights with Uxía handling lead vocals, 100% features a young upcoming Galician vocalist, Sonia Lebedynski in an ethereal duet with João Afonso and the titular track pays homage to Galician folk music with its multiple singers, but we also experience Brazilian flavors.  The strangest track, Vó Genézia weds Brazilian samba to Galician bagpipes.  I think it’s an intriguing idea, but to my ears the effect is a riot of sounds.  Overall, I sense that the musicians came together in the spirit of cooperation and sharing musical talent and styles.  If the aim of world music is to explore the world, this recording covers a lot of air mileage. 

http://www.folmusica.com

Comments

Post a Comment

Popular posts from this blog

Introduction to Peyote Songs & The Native American Church

-
Image
Father Peyote: Songs of the Native American Church Introduction to the Peyote Church Ceremony This is an archival article written in 2003.  It's not updated.  For more recent recordings, go to Canyon Records website, http://www.canyonrecords.com When some people speak of Native American ceremonies, the peyote ceremony or the ingestion of the hallucinogen peyote (contains mescaline) usually surfaces. However, there is too much false information being passed around in the non-native community surrounding peyote meetings. The first thing people need to know about the Native American connection to peyote is that the plant is sacred medicine ingested as a sacrament during healing ceremonies of the Native American Church. The second thing, people need to know is that the Native American Church is not a set structure like the Christian Church. The peyote meeting could take place in a Navajo hogan or a teepee. And finally, since the peyote meeting does in part derive from Nat
Read more

21st Century Musical Healer Series--Heather Hannan

-
Image
 Healing with Sound and Reiki Based in Toronto, Canada, Heather Hannan has proven with her own life healing experiences the enormous power of sound frequencies. She acts as a bridge between the mundane world (real estate) to other spiritual dimensions (past life regressions, quantum physics, Reiki, sound frequencies,  and other cutting edge work). I met Heather through my Linked In group Musical Healers and I'm delighted to include her work and insights on this blog. As you know, raising music and sound consciousness takes a world-size village of folks, just like Heather dedicating their lives to working with the healing power of sound.  Whole Music: When did you discover and begin exploring sound healing? Heather Hannan: Ten years ago I was at a crossroads in my life and looking for a group of like-minded people with whom to explore my gifts and talents through meditation. Little did I know that via the meditation group I joined I would be invited to
Read more

Talking about Timbre

-
Image
Wikipedia As I mention in my book Whole Music , when I was a child I fell in love with timbre and the voices of the individual instruments we listened to in music class.  Each instrument conjured a specific emotions or feeling in me.  The French horn caused me to feel majestic and the cello invoked melancholy.  My moods would shift with each instrument that I heard and my moods would shift quickly. Today, I listen to more than timbre, but I have an understanding of how tone, frequencies of the tone and timbre (the color of the tone) affect me on all levels.  And I wonder what listening to an entire symphony does with its many voices, themes, keys, musical passages etc... In the concept of "whole music" I prefer not to separate musical components, but in the case of this post, I will present solo instruments for your listening and feeling pleasure. If you keep a music journal (and I hope that you do by now), write down the emotions that come up with each instrument.  R
Read more