In review--Aye, es Bueno!
(An homage to Buena Vista Social Club)
Arc Music
In 1999 when I sat with my film colleagues and
a film festival audience to watch Wim Wender’s documentary Buena Vista Social Club, I fell in love with Cuban son. Coming from a background of youthful rock
music, I felt in awe as I watched the octogenarian musicians that comprised
Buena Vista Social Club perform sweet songs with total abandonment. I realized that it takes multiple generations
to preserve and perform music. Since
that time, several of the Buena Vistas died, including Compay Segundo, Ibrahim
Ferrer, and Rùben Gonzalez. However, the
spirit of Cuban son and Buena Vista Social Club is alive and well, as it
appears on Best of Buena Vista.
This CD features Pio Leyva, Juan De Marcos (musician
responsible for the formation of Buena Vista Social Club), Puntilitta Licea, Ruby Calzado, Maracaibo Oriental, Josè
Artemio Castañeda, Raul Planas and Sergio Rivero. However, these musicians don’t perform in the
same band and instead appear in a compilation format. It doesn’t matter since the listener can just
use his or her imagination while listening to these delicious dance songs and
boleros. Better yet, the listener could just dance with wild abandonment while playing this CD. It would be hard not to.
Soneros De Verdad opens the compilation with the spicy A Buena Vista and the sizzling Changüi a revè. Compay Segundo’s nephews chip in Chan Chan (a well-loved Cuban song). Musica Cubano performs the soulful bolero Desvelo de Amor with its sultry muted
trumpet and shimmering très (Cuban 3-string guitar). Then Castañeda’s band heats up the room with
the son-salsa number Yamile which
features horns and flute set over a background of Afro-Cuban percussion. Raùl Planas’ A quièn no le gusta el son, Pio Leyva’s salsa-son Yo no soy mentiroso (with its rapid
vocals), Castañeda’s sweet bolero Imposible
vivir sin ti and Planas’ Lágrimas
negras round off my favorite tracks from the compilation. But really, they're all favorites now.
Some of these sons will sound familiar to anyone who has
danced to traditional Cuban music, listened to world music radio shows,
Putumayo compilations, or watched the documentary Buena Vista Social Club. True fans of Cuban music will most likely
know all the songs. This compilation
also provides a lovely way to pass the music on to younger audiences. These sons sparkle and haven’t lost their luster
over the decades. In fact, like a good
wine, the songs aged gracefully, just like the octogenarian musicians.
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