In review--From Senegal to Haiti
Ablaye Cissoko/Volker Goetze
Amanké Dionti
Motema (2012)
When I listen to Amanké Dionti I wonder what Miles Davis
or John Coltrane would have thought of the musical marriage. The recording fits easily and comfortably
into jazz and world music. I would even
squeeze it into world classical and if a new ager didn’t reflect on the
socio-political messages of the modern griot songs, the relaxing tones of the
trumpet and the kora would definitely appeal to this group too. The overall sound exudes tranquility and
beauty. I realize that it’s almost a
cliché to call the music here breathtaking, but it is, in the same way that a
magical sunset causes us to pause and gape at its beauty. This is the type of music that fills every
cell of the body with health and vitality.
Cissoko’s melancholic vocals
float over the kora’s arpeggios and Goetze ghostly trumpet on Kana Maloundi. In contrast, the titular track sets a different mood, of hope that glimmers
with the kora’s shimmery tones and warm honeyed vocals. Haiti
features a muted trumpet playing in tandem with the kora and this track that
was originally produced for the film Griot
by Volker Goetze is my favorite on this recording. In fact, Cissoko’s soaring vocals give me
chills.
I believe that this CD was
actually mailed to me last year, but was lost on route. Then when I read other journalists’ top ten
list on the World Music Central site, I felt like reviewing it. After all, I was one of those music
journalists who fell in love with Sira
in 2008.
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