In review--Streets of Toledo
La Cantiga Del
Fuego
Arc Music
Journalists
have compared Alcaide to Enya and Loreena McKennitt, and certainly, I can hear
those comparisons. However, I would add
Arianna Savall, a Catalan harpist/vocalist to this list. Alcaide sings in a Mediterranean voice and
you can hear Southern Spain dripping from her lips, but her musical approach
includes international instruments in which she moulds a soundscape that
compares to an exotic tapestry. You’ll
hear oud and santur, along with Jewish clarinet, accordion, Spanish bagpipes,
electric bass, percussion, and I swear I heard didgeridoo on one of the songs, Queen Ester, even though it isn’t listed
in the credits. This song sounds like it
came straight off a Gjallarhorn album (a Nordic band that plays traditional
instruments and songs from Sweden and Finland).
The
songs all flow smoothly into each other.
However, if you listen closely, preferably through headphones, you will
hear intricate rhythms, delicate interludes, and exquisite vocal phrasing. From haunting ballads to the wedding song, Ay que Casas! which features Spanish
bagpipes and a Bulgarian 9/8 rhythm, we can see why European music audiences
sent this CD to the top of the World Music Chart. This leaves me wondering what other types of
music we would find on Toledo's streets.
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