In review--Ole!

-
Adam del Monte
Asì lo siento yo
Self-release


I’ve found over the years that flamenco music must possess authentication, either the musician was born into an Andalusian family of flamenco origins or lived in Andalusia at some point and studied with the flamenco masters. Years of listening, observing and practicing flamenco follow until the flamenco musician is ready to strike out on his or her own with enough passion in tow. Flamenco more than anything revolves around feelings and emotions. A musician might have the chops, but if he or she can’t take you to that place called duende, then the musician loses the heart of flamenco. Today you will find both old flamenco with its rustic pastiche and nuevo flamenco pioneered by Tomatito, Paco de Lucia and others. You’ll even hear flamenco fused to Cuban son, rock and jazz music.


So how does someone such as me, not trained in flamenco, review a flamenco album? I’ve probably journeyed to the place of duende several times as a music listener, and I know an array of strong emotions firsthand. So this is the place where I begin. Besides, when I’m reviewing American musicians who perform flamenco music, I feel more at home. Take for instance, flamenco guitarist-composer-arranger Adam del Monte who on his album asì lo siento yo fuses flamenco guitar with Latin jazz sensibilities. I was reminded of Paco de Lucia’s work several times while listening to this recording, especially on the tracks with Guadiana’s vocals, the titular track (bulerìa), and Ecos Ladinos (granadìna).


The opener, Puntào (rumba), with its saxophone, bass, percussion, and palmas could have come straight out of the documentary Calle 54, due to its innovative approach. And certainly it ignites the album sending listeners on a sizzling journey. The most beautiful tracks are Ecos Ladinos with vocals, cello, and guitar and Sombras del paradise (minèra), in which del Monte strips everything away except his guitar. By contrasting the solo guitar with the arranged pieces, listeners get a glimpse of del Monte’s talent as a composer and a guitarist. Certainly, I would imagine that Adam del Monte received a seal of authentication from all the great talent he’s collaborated. And I applaud his music. Truly this is beautiful music with heart and soul.

http://www.rockpaperscissors.biz

Comments

Post a Comment

Popular posts from this blog

Introduction to Peyote Songs & The Native American Church

-
Image
Father Peyote: Songs of the Native American Church Introduction to the Peyote Church Ceremony This is an archival article written in 2003.  It's not updated.  For more recent recordings, go to Canyon Records website, http://www.canyonrecords.com When some people speak of Native American ceremonies, the peyote ceremony or the ingestion of the hallucinogen peyote (contains mescaline) usually surfaces. However, there is too much false information being passed around in the non-native community surrounding peyote meetings. The first thing people need to know about the Native American connection to peyote is that the plant is sacred medicine ingested as a sacrament during healing ceremonies of the Native American Church. The second thing, people need to know is that the Native American Church is not a set structure like the Christian Church. The peyote meeting could take place in a Navajo hogan or a teepee. And finally, since the peyote meeting does in part derive from Nat
Read more

21st Century Musical Healer Series--Heather Hannan

-
Image
 Healing with Sound and Reiki Based in Toronto, Canada, Heather Hannan has proven with her own life healing experiences the enormous power of sound frequencies. She acts as a bridge between the mundane world (real estate) to other spiritual dimensions (past life regressions, quantum physics, Reiki, sound frequencies,  and other cutting edge work). I met Heather through my Linked In group Musical Healers and I'm delighted to include her work and insights on this blog. As you know, raising music and sound consciousness takes a world-size village of folks, just like Heather dedicating their lives to working with the healing power of sound.  Whole Music: When did you discover and begin exploring sound healing? Heather Hannan: Ten years ago I was at a crossroads in my life and looking for a group of like-minded people with whom to explore my gifts and talents through meditation. Little did I know that via the meditation group I joined I would be invited to
Read more

Talking about Timbre

-
Image
Wikipedia As I mention in my book Whole Music , when I was a child I fell in love with timbre and the voices of the individual instruments we listened to in music class.  Each instrument conjured a specific emotions or feeling in me.  The French horn caused me to feel majestic and the cello invoked melancholy.  My moods would shift with each instrument that I heard and my moods would shift quickly. Today, I listen to more than timbre, but I have an understanding of how tone, frequencies of the tone and timbre (the color of the tone) affect me on all levels.  And I wonder what listening to an entire symphony does with its many voices, themes, keys, musical passages etc... In the concept of "whole music" I prefer not to separate musical components, but in the case of this post, I will present solo instruments for your listening and feeling pleasure. If you keep a music journal (and I hope that you do by now), write down the emotions that come up with each instrument.  R
Read more