21st Century Musical Healer--Conversation with Samite
I'm re-posting this article which also appears in my book, Whole Music. For whatever reason, I woke up thinking about Samite today and the beautiful music he has graced us with.
WM From the Heart of the African Bush: Conversation with Samite Mulondo
I first came across Samite when I was seeking African recordings to review for my former website, Cranky Crow World Music. Tunula Eno landed in my mailbox and as I listened to a beautiful set of songs I traveled through a gamut of emotions, from sweet humor to grief (the CD was dedicated to his wife who died from brain cancer).
A few years later, another Samite CD came my way—his seventh album, Embalasasa, named after a beautiful, yet poisonous lizard. According to Samite, today the poisonous lizard Africans and others face is the AIDS epidemic. The album featured another soulful collection of songs featuring Samite on thumb piano, flutes, percussion and vocals and backed by extraordinary musicians on kit drum, bass and guitar, including Grammy Award winner David Cullen.
Most
recently I discovered that Samite would be performing at McIntyre Hall
in Mount Vernon, Washington. I had seen the musician in concert when I
was residing in Seattle so I jumped at the chance to interview Samite
for his upcoming concert in the Valley.
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Other
journalists besides me have felt the soothing lullabies of Ugandan
multi-instrumentalist Samite Mulondo. The storyteller
-musician-humanitarian takes his audiences on journeys to the African
bush and also deep into the human heart. Listening to his recordings
provide an intimate musical experience and seeing Samite in concert
provides a different type of emotional experience that opens eyes, ears
and hearts.
I first came across Samite when I was seeking African recordings to review for my former website, Cranky Crow World Music. Tunula Eno landed in my mailbox and as I listened to a beautiful set of songs I traveled through a gamut of emotions, from sweet humor to grief (the CD was dedicated to his wife who died from brain cancer).
A few years later, another Samite CD came my way—his seventh album, Embalasasa, named after a beautiful, yet poisonous lizard. According to Samite, today the poisonous lizard Africans and others face is the AIDS epidemic. The album featured another soulful collection of songs featuring Samite on thumb piano, flutes, percussion and vocals and backed by extraordinary musicians on kit drum, bass and guitar, including Grammy Award winner David Cullen.
WME:
I read that you emigrated to the U.S. in 1987 and that you started out
recording for the Windham Hill label. Were you recording Ugandan or
African music for that label or other types of music? Besides recording
for this label, how did you get started with music after settling in the
U.S.?
Samite Mulondo: I began recording for Shanachie Records when I first came to the US. I recorded two albums with them: Dance My Children, Dance and Pearl Of Africa Reborn. Next, I recorded for Xenophile, a branch of Green Linnet Records. For this label I recorded Silina Misango. Following this, I recorded Stars to Share with Windham Hill Records. I only record my music and it is in Luganda, my native language.
WME:
You offer your listeners a great gift with storytelling,
multi-instrumental playing and original songs with the essence of
Uganda. Does your storytelling and music come from a tradition similar
to the West African griot?
SM:
No. In Uganda it is different. One member of the family could be a
musician and the rest of the family members might be doctors or
engineers. In my family, I am the only musician, the rest are
accountants, etc.
WME:
Speaking of storytelling, I am interested in the films that your music
has appeared in and the soundtrack you composed for the Kenyan
filmmaker. Please tell me more about these projects.
SM:
The filmmaker that I believe you are referring to is the team of Alan
Dater and Lisa Merton (Marlboro Productions). They are not Kenyan --
their subject is. The other important film that I was recently a part of (one of my songs is in this film) is War Dance by Fine Films (Sean and Andrea Fine).
WME:
Besides musical projects, you also founded a non-profit that uses the
healing power of music to heal orphans in African countries. I know you
founded this non-profit, Musicians for World Harmony in 2002, but how
did it begin? Do you have any heartfelt stories to share in regard to
starting this non-profit?
SM:
I think this started from way back when I was a refugee in Kenya in the
early 1980s and I realized that music could be used to heal the souls
that suffer from various traumas.
WME:
In visiting your website, I learned that your most recent trip to
Uganda involved photographing a baby mountain gorilla. Please tell me
more about this recent photographic tour and how the photographs might
be featured in your upcoming concerts.
SM:
This is the second time that I have visited Bwindi Impenetrable Forest
to shoot photographs. Both times I have been fortunate enough to spend
time with mountain gorilla families. This last time, yes, there was a
baby that was very young and in its mother's arms. My photographs
capture the mother cradling her infant just after nursing. There was
also a bit older baby - who thought it would be exciting to "play" with
me. He didn't like the fact that I was looking him straight in the eyes
(to him a challenge), so he hit me in the head with a branch!
(Fortunately it was not a very big one). I do use these photographs in
my multimedia concerts.
WME:
Your music is special to me because it touches my heart on a deep and
healing level. You understand the healing power of music and have
demonstrated this knowledge on your recordings and your work with the
nonprofit. So how do you approach your music in regard to recording and
performing? Some musicians pray or meditate beforehand. Do you have a
ritual that you perform so that you become a clear channel for healing
music?
SM:
I do spend some quiet time alone before each concert. I definitely pray
to have a good spirit in the hall that I am performing in. I also pray
to open people's hearts -- that may open their hearts and minds for me
to reach them with my music even though I am singing in a language that
they don't understand.
WME:
Is there anything else you would like to add about your upcoming
concert in Mount Vernon, Washington? Besides storytelling, healing music
and humor, what else can the audience members expect?
SM:
I will perform with my good friend, David Cullen, a Grammy Award
winning guitarist who appears on many of my recordings. I will be
performing my multimedia concert so your readers will get a chance to
experience some of my Africa.
WME: Please describe the various traditional instruments you play, (flutes, percussion, thumb piano…)
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