In review--Wake up to a Groovy Saturday
Jazz
Ahmad Jamal
Saturday Morning
Jazz Village/Harmonia
Mundi
I enjoyed jazz pianist Ahmad Jamal’s 2012 New York Sessions,
Blue Moon recording so when I saw
that Jamal had another release coming up, Saturday
Morning, I had to hear it. Aptly
titled, the French studio sessions feel like a warm and comfortable
Saturday morning, with the dawn just breaking on the horizon. Think of this CD as a musical cup of coffee
without the side effects. Even the
titular track grabs attention with its ostinato and continuous theme played on
the piano and surrounded by percussion with plenty of cymbal. Listeners receive a double dose of this track
since a reprise concludes the recording.
The music sounds tight here played like a standard jazz trio
of piano, double bass (Reginald Veal) and drums (Herlin Riley) but with extra percussion
(Manolo Badrena) that provides the Latin groove. Edith’s
Cake features lyrical piano again surrounded by a bank of cymbals, deep
bass, congas, and polyphonic rhythms.
Jamal goes off on a few tangents while exploring the musical terrain
then finds his center again with a theme so sweet that this musical coffee goes
down easy without any sugar. Jamal ends
the song on a single note that delights and surprises. The Line takes on a stronger Latin
groove than previous tracks and gets funky and I hear echoes of Miles Davis on this track. Similar to Davis, Jamal has an ear for
impressionable melodies. Even more
impressive, Jamal’s fingers work magic on the keyboard with his catchy themes
built into virtuosic architecture.
Out of the three covers that appear on the CD, I’m in the Mood for Love never sounded
this passionate with the piano climbing rapidly into crescendos with hints of
Rachmaninoff here and there. This
rendition could put even a cantankerous person in the mood for love with its
soulfulness. The musicians wax lyrical
on Duke Ellington’s I Got it Bad and That
Ain’t Good with the double bass providing anchor for Jamal’s flights of
fancy. If the music on this disk takes
us back to the future (as the opener implies), then guess where I’m heading? And
I’ll snap my fingers along to the tune of One to take me there.
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