In review--The Pearl of Iran
A Deeper Tone of Longing
Kirkelig Kulturverksted
Missing the boat on the
duets of Mahsa Vahdat (Iran) and Mighty Sam McClain (US blues) 2009
album, Scent of Reunion, I’m coming
on a board with a new album of love duets, A
Deeper Tone of Longing. Featuring
Farsi poetry by Mohammad Ibrahim Jafari and English poetry by founder of
Kirkelig Kulterverksted, Erik Hillestad poetry almost eclipses the passionate
vocals and musical arrangements by Knut Reiersrud (a Norwegian bluesman). Actually, when you look at the musicians on
this album, it feels like KKV brought in the whole team in fusing blues with
Iranian classical music--something that looks like an impossible dream on the
surface, but succeeds.
When You Came
shows off the bluesy side of the equation until a lonely ney (Iranian reed
flute) comes in followed by Vahdat’s haunting vocals. The song even features Reiersrud signature guitar
coupled with McLain’s southern back porch voice. Nobody features a warmer
sound with acoustic guitar and jazz drums with folk vocals. Even though American blues has fused to
African blues and even traditional music of India in recent decades, here the
two sounds, (blues and Iranian music), appear side-by-side, alternating from
one tradition to the other, but never actually wedding to the other. The singers alternate their vocal tracks, and
we never hear vocal harmonies, but we do hear Mathias Eick’s jazz trumpet harmonizing
with Vahdat on Nobody.
If it weren’t for the ney
shadowing McClain’s voice on Two Jewels
intro, we might think we’re hearing Otis Redding. Then Vahdat delivers heartfelt vocals that
send us traveling back to Iran. That is
until the blues harmonica plays peek-a-boo.
And while I won’t give you a play-by-play of the 10 tracks that appear
on A Deeper Tone of Longing, stay
tuned for some lovely surprises, especially, if you’re wondering about the
crossroads where American blues and Iranian classical music meet.
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