A Deeper Tone of Longing
Missing the boat on the duets of Mahsa Vahdat (Iran) and Mighty Sam McClain (US blues) 2009 album, Scent of Reunion, I’m coming on a board with a new album of love duets, A Deeper Tone of Longing. Featuring Farsi poetry by Mohammad Ibrahim Jafari and English poetry by founder of Kirkelig Kulterverksted, Erik Hillestad poetry almost eclipses the passionate vocals and musical arrangements by Knut Reiersrud (a Norwegian bluesman). Actually, when you look at the musicians on this album, it feels like KKV brought in the whole team in fusing blues with Iranian classical music--something that looks like an impossible dream on the surface, but succeeds.
When You Came shows off the bluesy side of the equation until a lonely ney (Iranian reed flute) comes in followed by Vahdat’s haunting vocals. The song even features Reiersrud signature guitar coupled with McLain’s southern back porch voice. Nobody features a warmer sound with acoustic guitar and jazz drums with folk vocals. Even though American blues has fused to African blues and even traditional music of India in recent decades, here the two sounds, (blues and Iranian music), appear side-by-side, alternating from one tradition to the other, but never actually wedding to the other. The singers alternate their vocal tracks, and we never hear vocal harmonies, but we do hear Mathias Eick’s jazz trumpet harmonizing with Vahdat on Nobody.
If it weren’t for the ney shadowing McClain’s voice on Two Jewels intro, we might think we’re hearing Otis Redding. Then Vahdat delivers heartfelt vocals that send us traveling back to Iran. That is until the blues harmonica plays peek-a-boo. And while I won’t give you a play-by-play of the 10 tracks that appear on A Deeper Tone of Longing, stay tuned for some lovely surprises, especially, if you’re wondering about the crossroads where American blues and Iranian classical music meet.