In review--The Gypsy Experience
World Village
I was in the mood for gypsy jazz
just when the French group Bratsch’s new recording Urban Bratsch arrived in my
mailbox. A delicious mix of klezmer,
gypsy jazz, German theater (Brecht/Weill), and Eastern European music, this quintet
delivers a whopper of a recording. It is as eclectic as Lo-Jo, and as rousing
as Les Yeux Noirs (also from France).
These guys show what passions are possible played on acoustic
instruments (guitar, accordion, violin, double bass, and clarinet).
The opener Sirba Din Joc De Constanca/Hora
certainly starts off a rousing listening experience with its gypsy violin. I expect to hear one of those wild and crazy
Eastern European zithers conversing with the violin, but in all honesty, this
music fills the space just fine.
Francois Castiello’s accordion resembles a harmonium on the ballad Scetate with Nano Peylet’s klezmer
clarinet singing mournfully along with the raspy vocals. Garoïbar
screams gypsy. Just listen to that
Gypsy-Rom violin during the short introduction. Ravel probably rolls over in
his grave with envy.
Rer C reminds
me of Lo’Jo’s swirly circus songs, but Dans
Le Ciel De Ma Rue with its Django-style guitar, ethereal accordion, and
slightly melancholic vocals is my favorite track. The musicians perform alchemy on this piece.
And if you find yourself waltzing across your kitchen while listening to this
track, all power to you. This music was
made for reflecting and for dance.
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