The Whole Music Experience

Jazz Deborah Latz   Fig Tree June Moon Productions Ever so often a new voice crosses my path, a musician so authentic, that I pause and take notice.  Deborah Latz comes to jazz by way of musical theater, but she’s no cabaret act, neither is she a smooth jazz crooner.  Latz’ zingy interpretations of jazz chestnuts as well as, her original tunes get under the skin.  Her arrangements surprise us, such as the slowed down Embraceable You which features only vocals and bass or Blue Skies with its light 70s funk.  Latz travels into foreign territory, Brazil with her original E Luxo Só and on the cover Corcovado ( Quiet Nights , Quiet Stars made famous by Astrud Gilberto).  The titular track, Fig Tree also contributes a fun and zestful performance to the CD. It’s hard to come up with any new adjectives not already used by music critics to describe Latz’s voice or style.  So I just decided to enjoy what’s on offer, 14 carefully ch...

Classical   Handel/Vivaldi Dixit Dominus   La Nuova Musica David Bates and Lucy Crowe   Harmonia Mundi One of the most popular Christian music settings, Dixit Dominus (music composition for Psalms 109, or 110 in the Protestant Bible), offers baroque era vocalists a workout.  On La Nuova Musica’s recording, Dixit Dominus , conducted by David Bates, the musicians (instrumentalists and vocalists) perform Vivaldi’s third setting of the Psalms 109/110 in D major and Handel’s sober setting in G minor (going against the convention) and sandwiched between those two gems, soprano Lucy Crowe performs the 4 movements of Vivaldi’s In Furore iustissimae irae (my favorite performance on the recording). A relatively young early music choir/orchestra, La Nuova Musica has received critical acclaim and its star rose quickly into the firmament of international early music ensembles.  Certainly, this polished recording offers crystalline vocals, passio...

Classical   Freiburger Barockorchester Von Der Goltz/Müllejans/Schreiber J.S. Bach Violin Concertos Harmonia Mundi I find it ironic that during the Romantic Era J.S. Bach’s works fell out of favor because the musicians and music audiences of that time thought that Bach’s work lacked virtuosity (as mentioned in the liner notes of Violin Concertos ).  I listen to the dazzling performances of Bach’s Concerto for Two Violins (BWV 1043), Violin Concerto (BWV 1042), Violin Concerto (BWV 1041) and Concerto for Three Violins (BWV 1064R) by Freiburger Barockorchester and I hear nothing but heroic virtuosity.  Certainly, any musician from contemporary times would agree at the complexity and difficulty of Bach’s musical architecture, but not only that, but the emotional palette that becomes necessary when performing any of Bach’s works. The recording opens on a fiery yet playful note, Vivace of the Concerto for Two Violins featuring Petra Müllejans (Art...

  Classical   Jerusalem Quartet Sharon Kam Brahms Clarinet Quintet String Quartet, No. 2 Harmonia Mundi     The clarinet is among the most versatile instruments showing up in classical, baroque, jazz, world, gypsy and klezmer music.  On Jerusalem Quartet’s recording of Brahms Clarinet Quintet featuring clarinetist Sharon Kam, the wind instrument takes on a chameleon role blending in with the strings so well, that at times I can barely detect its warm tones.  I’m reminded of the solitary clarinet of Mozart’s Clarinet Concerto , not knowing why exactly since Brahms doesn’t send his clarinet on flights of fancy and the clarinet portrays adult sobriety as opposed to Mozart’s childlike glee.  Brahms, for whatever reason, refrains from shining the virtuoso spotlight on the instrument, and this is during an era when fiery musicianship on a soloing instrument was the norm. The musical conversation of the Clarinet Quintet holds my atten...

The Joe Locke Quartet Lincoln Symphony Orchestra Wish Upon a Star Motema When I was in second or third grade, the music teacher introduced me to musical timbre and I fell in love with musical instruments as well as, instrumental arrangements.   Enters jazz vibraphonist Joe Locke and his collaboration with the Lincoln Symphony Orchestra on the lush recording Wish Upon a Star and I remember those early days of my love affair with music. When music audiences think of jazz or pop musicians recording with symphonies, they usually recall walls of strings arrangements from the 1960s and early 1970s, but this recording offers a lot more musical flavors, jazz grooves, and musical twists than those 1960s collaborations.   In fact, this partnership shows us where enchantment meets with adventure.   I would use the adjectives beautiful and exciting to describe the six arrangements that appear on the CD, including two originals penned by Locke, Avai...