The Whole Music Experience

  The Sound of Music Recently I self-published my second novel, "Agnes et Yves" on Create Space.  This lead me to the library to check out books on marketing.  I ran across Martin Lindstrom's "Brand Sense" and found this section on the psychology of sound and music.  Here is a quote. "A fascinating experiment once took place in a small Australian village. Local residents, alarmed by the increase in street crime got together and decided that the best way to confront the problem was to remove the offenders from the main street at nightfall. Instead of taking the more traditional more-police, greater security, and tough-on-crime stance, they chose to play classical music.  Every single block began piping out sounds of Mozart, Bach, Beethoven, and Brahms.  In less than a week, the town reported a dramatic decrease in crime." Closer to home, the Bellingham Police piped out classical music around the bus station downtown.  It did decrease loiteri

Cesaria Evora, the Cape Verdean singer, also known as “the barefoot diva,” passed away on Saturday, December 17th (at 11:45 am local time) at Baptista de Sousa hospital in Mindelo Cape Verde, as announced by Cape Verdean minister of culture Mario Lucio Sousa. The world famous singer died at 70 on her native island of Sao Vicente about three months after retiring from the stage. She had been suffering health issues for a while and had had a few surgeries over the past few years, including an open-heart operation in May 2010. “I don’t have the strength, the energy anymore. I want you to tell my fans that I’m sorry but I have to rest now. I am sorry I have to retire because of health issues. I wish I could have given pleasure to those who follow me for much more time” she had told French newspaper Le Monde when she announced her retirement last September 23 rd . She was in good shape on stage at the Parisian venue Grand Rex in April 2011 but her unhealthy heart, which had fai

Jacques Pellarin Quartet Sup Dude Independent release Accordion is an instrument that gets along well with virtually every genre of music, at least the major genres.  You hear the instrument in bluegrass, Parisian chanson, Italian café music, and world jazz.  French accordionist Jacques Pellarin and his quartet perform music that weds Parisian café with jazz, though this is not Paris Combo.  On the album Sup Dude Pellarin doesn’t include the French gypsy swing element that you would expect from French jazz, but surprises me with a performance style that recalls Galician jazz.   Listen to the intro for the titular track and if you’re familiar with Galician music, you’ll hear those musical strains. I’m reminded of the Spanish band Engado.  So Frenchy sounds Spanish too, leaving me wondering about the ironic title.  In any case, Pellarin’s fingers fly across the keys of his accordion in a way that conjures the image of a global music traveler. Pellarin’s quartet combine

Franca Masu 10 Anys Aramùsica Once in a while a new diva crosses my path which is the case with Sardinian jazz vocalist Franca Masu who sings her repertoire in the Catalan language.   So not only am I discovering a new vocal talent (to my ears), but I also discovered a Catalan connection to the Italian island of Sardinia.   If you go back hundreds of years, you’ll discover a goldmine of cultural and language connections in the Mediterranean, but for the sake of this review my goal is to pique your curiosity.   Closet anthropologists similar to me will dig right in. Franca Masu marks the first female Sardinian vocalists I have listened to, but she’s not the first chanteuse that I’ve reviewed that sings in the Catalan language, Mariana Rossell (Barcelona) and Maria del Mar Bonet (Majorca) come easily to mind.   Masu weds jazz vocals with traditional instruments on her live album 10 Anys . Masu’s vocals alternate between sedate/tender on Aquamare and powerhouse on the o

  If you take a look at my classical and early music list for 2011, you'll see that classical music is here to stay and diverse as ever.  I considered including an Indian classical CD on this list then added it to the Best World and Jazz Albums of 2011 list instead.  And yes, I find the music on this list healing. 1.      San Francisco Symphony with Michael Thomas and Emanuel Ax, Beethoven’s Symphony No. 5, San Francisco Symphony 2.      Stephen Hough and Bergen Philharmonic Orchestra, Grieg and Liszt Piano Concertos, Hyperion 3.      21 st Century Symphony Orchestra, Howard Shore’s Lord of the Ring Symphony, Howe Records 4.     Anonymous 4, Secret Voices, Harmonia Mundi 5.     Trio Mediaeval, A Worcester Lady Mass, ECM 6.      Jerusalem Quartet, Mozart String Quartets, Harmonia Mundi 7.       Elizabeth Watts, JS Bach Cantatas and Arias, Harmonia Mundi 8.      The Byrd Ensemble, Our Lady (Music from the Peterhouse Part B

Top 15 World and Jazz Recordings for 2011 I struggled with compiling a top 10 list of recordings for 2011 so I came up with a top 15 list which made my life easier. The first criteria for an artist or recording ending up on the list was how I felt when I first listened to the recording. I admit I am subjective in my approach as are most journalists.  Yet, each of the recordings on the list possess merit too.  Some of these musicians preserve musical traditions, other musicians have mastered their tradition, and others engage their audience through their love of their tradition as in the case of Ana Moura.  You can't help but fall in love with these performers.  The last question I ask, "Do I find these recordings healing for me?" Most years I find that I'm heavier with African recordings, but this year Latin music from the new and old worlds dominate.  If you have not had a chance to hear these recordings I hope you will get on your favorite search en

Cristina Branco Live in Amsterdam, Netherlands Arc Music If you’re a fan of Portuguese fado music, then fadista Cristina Branco and lute player-composer Custòdio Castelo are familiar names to your ears.   Arc Music takes us back to 1997 before the fame and before the large musical output of these musicians.   Live in Amsterdam, Netherlands features already mature musicians poised for promising careers.   I’m hearing most of these fados for the first time because I didn’t discover either musician until the release of Sensu in 2003, an album that mixed fado with sensual jazz. Similar to Mariza, Branco takes the Portuguese music tradition into contemporary times. She has covered Joni Mitchell ( Ulisses ) and she brought in jazz piano ( Sensus ).   But the 1997 live album features pure fado with traditional instruments, mainly Portuguese guitar, with crystal shimmering tones accompanying Branco’s emotive vocals.    The album features 16 fados with the first track r

Holiday Recordings 2011 Cantus Christmas with Cantus Independent release Elisabeth Lohninger Band Christmas in July Jazz Sick Records Putumayo Presents Celtic Christmas Putumayo World Music Secret Garden Winter Poem Heart of Space Records/Valley Entertainment I find holiday music deeply healing.  Here we are in the midst of the darkest time of year, but like a cup of hot chocolate or lights strung along houses, holiday music offers us warmth and comfort. When I was a child, I couldn't wait for the holidays to arrive because I could pull out the Christmas albums and sing along with them.  I lost all sense of time and space.  I felt joy singing those songs, even the sad ones.  The first song I ever learned to play on the parlor organ was Silent Night and to this day, I still find the melody haunting.  My brother loved the song Do You See What I See? and certainly it was a favorite of mine too. There is no shortage of holid

Kyle Carey Monongah Independent Release I want to thank Angel Romero of World Music Central for forwarding me American songster Kyle Carey’s self-release Monongah .   The recording which blends Appalachian, light gospel, and Celtic folk sounds refreshing with its compelling stories.   Carey has talent to burn as a songwriter, and a mature, clear voice in which to deliver her stories—more or less tales with some intriguing characters.   Not only that the musician brings luminous musical talent on board with musicians from Lunasa and Cherish the Ladies, among others. Her stories are sung against a lush background of mandolin, guitar, and banjo.   I think I might have heard some strings in there somewhere to, but it’s late in the day and my brain feels exhausted.    I do remember the sweet melodies that climb into my head and I catch myself humming them.   The cadence of Devil at your Back with its lilting guitar rolling along certainly fits that category and so do

I found a short news clip, "Striking the Right Note" in Taste For Life (November 2011).  According to a research study conducted at Baycrest Centre for Geriatric Care (9-13-11), "Lifelong musicians experience fewer age-related hearing problems than non-musicians." I doubt this applies to rock musicians however since I've known many rock musicians who started losing their hearing in their 30s and 40s. However, if you wish to check out this intriguing news bite, go to http://www.tasteforlife.com Also in this publication, "Listening to music can ease cancer patients' anxiety and reduce their pain..."

Photo by Patricia Herlevi So often with sound healing or the concept of healing with music, an assumption that healing music must relax us rears its head.  Healing comes in many guises and each of us needs different types of healing.  We might need to boost our immune system, or boost our energy/vitality, we might need music to help us focus better or to relax from a stressful day. This brings up one of my favorite concepts and that is purposeful music.  As we grow more conscious of how music affects our soul-mind-body, we build a music tool kit with multiple purposes.  Often I suffer from headaches and so I choose relaxing music, even drones without melody or audio sound scapes.  Some times I could use a good sound healing session with crystal bowls and tuning forks and other times I need to dance to West African drums, Brazilian samba, or need to get my body moving to something hot and Latin. The purposeful music concept visited me twice within the last week.  I've dea

  Joshua Leeds Good Night Baby Music to Soothe Your Infant to Sleep Sounds True Jai Uttal Kirtan Kids The Elephant, the Monkey, and The Little Butter Thief Sounds True If adults find the technological era stressful, imagine what children feel, especially the extra-sensitive infant.  Plenty of record labels release recordings for children and I’ve featured a handful on this blog already.  I contacted Putumayo about its children’s compilation series and never received a response, then Sounds True came out with Jai Uttal’s  (famous in the world of yoga kirtans) Kirtan Kids and psycho-acoustic researcher Joshua Leeds’ Good Night Baby (Music to Soothe Your Infant to Sleep) .  While I don’t have any children myself, I feel that music is a healthy non-toxic medicine for stressed out children.  And in the case of Jai Uttal’s recording, he offers an avenue to a higher spiritual source.  A child needs to feel connected to the natural world and the Divine. 

  Grieg and Liszt Piano Concertos Stephen Hough Bergen Philharmonic Orchestra with Andrew Litton Hyperion Records Many years ago when I researched European classical composers who included folkloric dance and folk songs in their work, I encountered Norwegian composer Edvard Grieg.  This was around the time that I became familiar with Norwegian folk music so the timing felt perfect.  As far as, the Hungarian composer Franz Liszt, I’m most familiar with the work he composed after he joined a Franciscan monastery.  However, I had read stories about the romantic composer’s affects on ladies in attendance at his concerts.  Remember the passionate violinist in the movie The Red Violin ? I’m guessing that character was loosely based on Liszt or at least the composer’s persona. So when I placed Stephen Hough and the Bergen Philharmonic Orchestra’s latest recording featuring piano concertos by Liszt and Grieg, I expected to hear the kind of music that causes listeners to

Anita Skorgan Pågyllen Grunn Kirkelig Kulturverksted The Norwegian label Kirkelig Kulturverksted has over several decades brought its audiences innovative projects.   These recording projects build bridges, exchange cultures, or bring Scandinavian folk songs into a contemporary environment.   Anita Skorgan’s Pågyllen Grunn brings together diverse musicians including the early music lute player Rolf Lislevand, a young trumpet player versed in Arabic music, Arve Henriksen, a global percussionist Helge Norbakken and electric guitarist Eivind Aarseth.   And you might wonder what the musicians could do with that eclectic set of instruments. From what I can tell from the press notes, (the liner notes and lyrics are all in Norwegian with no English translation), the ensemble of talented musicians recorded ten arranged folk songs (lyrics by KKV Founder Erik Hillestad) in the mausoleum of the late artist Emanuel Vigeland.   A large painting featuring the cycles and seasons o

Sevara Nazarkhan Tortadur Sevara Music   In 2003 I was introduced to the music of the Central Asian country Uzbekistan via a young folk-pop performer Sevara Nazarkhan.   I reviewed her Real World electronic album Yol Bolsin and felt enraptured by its exotic instruments, and snaky melodies and haunting stories. Then after enjoying that recording for a few months, I forgot about the doutar (Uzbek lute) player/songwriter/vocalist (granted I've reviewed 100s of albums since that time).   And in the background the musician recorded a total of 4 albums including her new independent folkloric recording Tortadur performed on all acoustic instruments.    Her newest recording featuring Uzbek folksongs, some dating back to medieval times, played on traditional instruments features old world musicians.   In fact, the press release beat me to the punch by comparing these elder musicians to the Cuban Buena Vista Social Club.   Here again you have an all-star band, if you w

The Gurdjieff Folk Instrument Ensemble Led by Levon Eskenian Music of Georges I.   Gurdjieff ECM Many of you reading this review probably have never heard Armenian folk music, though you have heard most of the instruments on Levon Eskenian and The Gurdjieff Folk Instrument Ensemble's recording Music of Georges I. Gurdjieff  if you have listened to traditional music of Iran, Kurdistan, Turkey, and India.   This folk ensemble features the traditional Armenian reed instrument duduk which both Real World Records and World Village have featured on several recordings.   Other instruments that might sound familiar to your ears are the Iranian spiked fiddle (kamancha), the Turkish saz (long-neck lute), the Arabic tombak (drum) and oud, as well as, the dohl drum and santur from India.   To say that Music of Georges I. Gurdjieff falls into exotic territory is an understatement, but the Gurdjieff who studied many spiritual paths, also composed transcendental music rife wi