Jordi Savall and Hespèrion XXI Istanbul—Dimitrie Cantemir (1673-1723) Aliavox (distributed by Harmonia Mundi) I have never heard medieval or renaissance Turkish music before, though I have heard Turkish music played on traditional instruments as well as, Armenian and the music of Sephardic Jews. When I received Jordi Savall and Hespèrion XXI’s Istanbul in the mail, with its booklet and gorgeous music, I knew that reviewing the recording would require a steep learning curve, but with each pleasurable listen, I heard both familiar and unfamiliar instruments, familiar and unfamiliar modes. The experience was not totally new to my ears since I have attended my share of Oriental music concerts over the years and it seems that my DNA is predisposed to these modes because I never experienced an adjustment period coming from the West. Savall leaves his viol de gamba behind for this recording and plays a rebab (type of fiddle played vertical while resting on the lap, a vièle (another...